( operational headquarters of Universal Music Group, based in Santa Monica, USA read annotations) (in 1997) recorded at: Backroom Studios in Glendale, California, United States and Capitol Studios ( Hollywood, CA) in Hollywood, Los Angeles, California, United States mixed at: Barking Doctor Recording in Mount Kisco, New York, United States recording of: Could (in 1997) writer: Brandon Barnes ( songwriter, formerly of Byrne & Barnes) and Brian McKnight publisher: Brandon Barnes Music, Cancelled Lunch Music and Universal‐Songs of PolyGram International, Inc. Meyers ( pianist, composer, producer, arranger, and conductor) phonographic copyright (℗) by: UMG Recordings, Inc. and David Young ( bass) cello: Chris Ermacoff, Larry Corbett, Suzie Katayama, Steve Richards ( cellist), Dan Smith ( cello) and Rudy Stein French horn: David Duke ( Horn), Joe Meyer ( French horn player) and Brad Warnaar keyboard and background vocals and lead vocals: Brian McKnight viola: Bob Becker ( strings), Denyse Buffum, Scott Haupert ( violinist), Janet Lakatos, Maria Newman and John Scanlon violin: Murray Adler, Susan Chatman, Ron Clark ( violinist), Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff, Harris Goldman, Endre Granat, Peter Kent ( violinist), Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson ( violinist), Barbra Porter ( violinist, photographer), Jay Rosen ( violinist), Anatoly Rosinsky, John Wittenberg and Ken Yerke orchestrator: Bill K.
Recording engineer: Chris Wood ( recording engineer) miscellaneous support: Suzie Katayama (task: orchestra contractor / coordinator) membranophone programming: Anthony Nance assistant engineer: Mary Ann Souza engineer: David Reitzas ( other instruments ) executive producer: Bruce Carbone and Herb Trawick producer: Brian McKnight assistant mixer: Tom Bender ( engineer) mixer: Mick Guzauski bass: Oscar Meza, Jr.
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